Disruption, 2022
commercial waste, transparent LCD screen, single channel video installation
Monitor: 22 5/8 x 17 1/8 x 14
Installation: 48 x 50 x 22 in


Installation view, Production Performance LP1, 2021.
single channel video installation
mirror acrylic, spherical screen projector
29 x 24 x 17 in
2 min 50 secs looped


Punch Clock Disco, 2022
transparent LCD screen, single channel video installation
7 7/8 x 13 3/4 x 6 5/8 in
1 min 19 secs looped


Public Core, 2023
transparent chromogenic film
17 1/4 x 360 in

In Jason Isolini’s work, the moving image can take the form of a sculpture, a performance, or an encounter within an online platform. Working in the tradition of expanded cinema, Isolini uses optical distortion and repetition to draw attention to how an image is framed and how that framing directs the viewer’s attention.

His installations bring the physical conditions of digital media into view, from the labor involved in producing images to the materials and resources that sustain them. Across sculpture, video, performance, and internet art, Isolini makes looking an active part of the work. What the viewer sees depends on where they stand, how they move, and what the technology allows them to see.

Jason Isolini is a New York-based multidisciplinary artist working across new media, sculpture, and performance. He is a NYFA Fellow in Digital and Electronic Media, a 2024 Jerome Hill Artist Finalist, and was featured in the 2024 V&A publication Digital Art: 1960s to Now. His practice investigates imaging technologies, extraction economies, and the infrastructures that quietly shape how we see and navigate the world. In 2025, he was a part of Vibe Shift, a program presented by Rhizome and Anthropic. His project Incidental Container was the subject of Charlotte Kent’s Novel Protocols for Networks and Agency, a column in the Brooklyn Rail’s Art and Technology section.